The writing process – blog hop

diamonds_writing_process_blog_hope

The writing process – blog hop

Diamonds don’t start out shiny

My gorgeous friend and fellow scribe, Nicole Hayes, author of YA novel Whole of My World, has asked me to participate in a Blog Hop, called ‘The Writing Process’.

I thought it might be a good opportunity for some introspective examination — a pause to stop, breathe, and look where I am — so here are the four simple questions accompanied by my, hopefully not too waffly, answers.

1. What am I working on?

Oh god! What am I not working on?

• Literary Fiction: a novel based on the universal and ever-present need for parental approval.

• YA Fiction: a coming of age story about an abused young girl learning to face her fear of relationships as she moves into adulthood.

• Adult Thriller: abduction and slavery in the South Seas.

• Romance: love set in the turbulence of cyclonic Far North Queensland.

• Plus: copywriting, blogs, the odd short story, website content, articles, plus my editing and proofreading work. I think I just ran out of breath there.

2. How does my work differ from others of its genre?

Okay, I was asked this question in last week and I had a crap answer then, but I’m sticking to it anyway: it’s hard to define because I’m enjoying a tasting plate of genres to find out what my favourite flavour is. I have, however, heard it said again and again that there are no new stories; the difference lies in how the stories are told. So I’m leaning towards what differentiates authors themselves: their voices. I’m either grabbed from the start or it’s not worth persisting with the struggle. That’s a scary thing, knowing you have to snaffle a reader with your very first words.

3. Why do I write what I do?

Because I’m a little crazy (all writers are IMO) and it’s in my nature to stretch myself. Over time I’ve learned to trust that path. Being brave enough to write the truth of our experiences, painful or joyful, embroidered in fictional characters or made bare in factual narratives, makes the writing real for others to experience. It works, it flows. Resisting the truth arrests the story. Ooh can I quote that?

4. How does my writing process work?

I’m a polisher. I can’t move on until my words, diamonds in the rough, have a reasonable shine. That doesn’t mean my words won’t get rewritten next time I read them. I’m a literary bottle of Mr Sheen and the words are never shiny enough.

That’s it. I’m done. Next Monday I’m passing the literary baton to one of my heroes and tutors at RMIT: Simmone Howell, author of Girl Defective, Notes from the Teenage Underground and Everything Beautiful. You can find Simmone here: www.simmonehowell.com.au


TC where do you write

Where do you write?

I do it on the patio with TC

Where do you write? I once tried to do it in the bath. I visualised a leisurely, relaxed activity. I sat my iPad on a chair so I could reach over and type thoughts as they came to me. Dumb idea. Uncomfortable, wet-fingered, yoga-twisting awkwardness is what resulted. At least I can say I’ve tried it.

My favourite place to write is on our tiny front patio under a sun umbrella with one of our two cats supervising (see pic). That’s TC. He keeps his opinions to himself, even when I ask for them. He’s stubborn (or wise) like that. If he had opposable thumbs so he could bring me coffee he’d be purrrfect.

In bed first thing in the morning before distractions set in, is an incredibly productive option. Night time in bed doesn’t really work for me as I’m not a pen and paper girl and I have a noise-averse hubby (key taps can sound like whack-a-mole in the dead of the night) whose day job pays the mortgage and buys cat food. Fair enough, I need to eat too.

I’ve been told Hemingway liked to stand at a chest of drawers near a window in his bedroom, to write. *Goes off to visit good friend Google * True, it seems, and Hemingway wasn’t alone: Kierkegaard, Charles Dickens, Winston Churchill, Vladimir Nabokov and Virginia Woolf were also fans of the vertical stance. Personally, I find being seated on my well-padded butt quite satisfactory for a writing position. The art is hard enough without tiring oneself out physically as well as mentally. Having said that, I’ll probably give it a try because I can.

So where else? I used to frequent a Borders Café to write. Sadly, it’s long gone now. It was perfect for eavesdropping on conversations—essential for picking up nuances in dialogue—and being surrounded by books has a settling effect on me. The tasty coffee and banana bread was a bonus. Your local library is always available for a quiet, disruptive-free zone. Again I think it’s the books thing, plus being around like-minded others with a similar energy is inspiring. Try it. If you get stuck writing you can always read and that’s just as productive.

The weirdest place I’ve written? Not so much weird as tense: making notes by flashlight, in a Far North Queensland community sports centre, with a category 5 cyclone in full force. With no power and a flat iPad battery, I had to resort to pen and paper. I felt terribly ‘authentic’, like an on-the-scene reporter, if that isn’t too wanky a concept.

If you choose to write while up a tree, on the loo, or on a pull-down tray in an aeroplane, do what works for you; words on the page is the aim. Your readers will never know.


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